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The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky
      #3798 - Mon Sep 04 2006 05:18 AM

This thread is for comments about The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky

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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: SH Comments]
      #3807 - Thu Sep 07 2006 11:02 PM

Beautiful but difficult.

Glad SH published this.


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Aperion
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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: SH Comments]
      #3812 - Sun Sep 10 2006 12:14 AM

Excellent, really interesting piece. I think it helps some if your familiar with Heidegger.

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David Moles
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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: SH Comments]
      #3815 - Sun Sep 10 2006 01:05 PM

Reminds me a lot of "In the Late December."

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-- David


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BenjaminRosenbaum
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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: Aperion]
      #3816 - Sun Sep 10 2006 01:23 PM

Tell me more about the Heidigger, Aperion!

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BenjaminRosenbaum
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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: David Moles]
      #3817 - Sun Sep 10 2006 01:24 PM

> Reminds me a lot of "In the Late December."

Yep. Good point. I love "In The Late December".

Ben


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Aperion
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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: BenjaminRosenbaum]
      #3819 - Sun Sep 10 2006 02:12 PM

Well, your the author, am I right or way off base?

Your use of the word ontic, Heidegger's philosophy was a distinction between the ontic (real, physical, 'stuff') and the ontological. His study rests with the ontological, phenemonolgy, and Dasien as being which can have 'care' and question its own existence...it tends to get a little involved here. Pick up Heidegger's Basic Writings.

Your story, to me in some ways was a really interesting play between the ontic and ontological, as well they way you used your coined words. Unless you think I'm just really way off here...


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BenjaminRosenbaum
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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: Aperion]
      #3825 - Mon Sep 11 2006 12:02 PM

I suspect you're quite on base; the author, in my experience, is often the last to know what the story is about.

I haven't read much Heidigger, though I've picked some up in pop contexts. In this story, I was looking for a kind of "future physics" to characterize where Matthias's House is. I wanted it to evoke string theory -- branes and hidden dimensions -- but also to incorporate "new stuff we don't know about that". Taking my cue from the last pages of The Dispossesed, where Le Guin goes to philosophy for a similar trick, I decided on "ontotropes", which would be Greek for "something striving to be". Prowled around wikipedia to flesh this out. My sense is that "ontic" is "things as they are, beyond any person's knowing of them" and "ontological" is "things in terms of the nature of our knowledge of and existence with them".

I am just, magpie-like, decorating my nest with pretty things, some of which I am somewhat ignorant about.

So if you have an account of the story, as, say, an allegory of the relationship of the ontic and the ontological, and can tell me who represents what, I am eager to hear it, and will gladly take the credit (yeah, I meant to do that.. subconsciously...) :-)

Ben


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Leonid Korogodski
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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: SH Comments]
      #4453 - Mon Apr 16 2007 10:30 PM

Hi,

May I ask a stupid question? Why does Matthias offer the keys to Geoffrey but refuses them to the pilgrim?

Leo


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BenjaminRosenbaum
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Re: The House Beyond Your Sky, by Benjamin Rosenbaum, illustration by Vladimir Vitkovsky [Re: Leonid Korogodski]
      #4509 - Thu May 17 2007 02:42 PM

Hi Leo

That's not a stupid question, it's a great question. Sorry I didn't see it earlier.

Matthias has known Goeffrey for a long time and trusts him. He wants to give the keys to the pilgrim, and he almost does, but he detects something off about the pilgrim (specifically about the relationship between the pilgrim and the internal subset of the pilgrim who is Matthias's 'mother'). He decides the pilgrim isn't trustworthy, which proves to be an accurate assessment.

Ben


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