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<title>Strange Horizons Reviews</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/" />
<modified>2010-03-19T08:00:04Z</modified>
<tagline></tagline>
<id>tag:www.strangehorizons.com,2010:/reviews/1</id>
<generator url="http://www.movabletype.org/" version="3.32">Movable Type</generator>
<copyright>Copyright (c) 2010</copyright>
<entry>
<title>The Secret History of Science Fiction edited by James Patrick Kelly and John Kessel</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/the_secret_hist.shtml" />
<modified>2010-03-19T08:00:04Z</modified>
<issued>2010-03-19T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.845</id>
<created>2010-03-19T08:00:00Z</created>
<summary type="text/plain">Of course I want to believe them, I want to imagine that though the ghetto walls still stand they are less secure than they once were, that traffic now flows more freely in both directions across the boundaries. But how strong a case do they present?</summary>
<author>
<name>Paul Kincaid 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
Of course I want to believe them, I want to imagine that though the ghetto walls still stand they are less secure than they once were, that traffic now flows more freely in both directions across the boundaries. But how strong a case do they present?
</content>
</entry>
<entry>
<title>Naamah&apos;s Kiss by Jacqueline Carey</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/naamahs_kiss_by.shtml" />
<modified>2010-03-17T10:37:58Z</modified>
<issued>2010-03-17T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.860</id>
<created>2010-03-17T08:00:00Z</created>
<summary type="text/plain">Even when it&apos;s clearly wish fulfillment&amp;#8212;or maybe because it is&amp;#8212;Carey&apos;s writing wins us over. </summary>
<author>
<name>Hannah Strom-Martin 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
Even when it&apos;s clearly wish fulfillment&amp;#8212;or maybe because it is&amp;#8212;Carey&apos;s writing wins us over. 
</content>
</entry>
<entry>
<title>The Stone Dance of the Chameleon by Ricardo Pinto</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/the_stone_dance.shtml" />
<modified>2010-03-15T13:00:02Z</modified>
<issued>2010-03-15T13:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.850</id>
<created>2010-03-15T13:00:00Z</created>
<summary type="text/plain">Pinto has created a work that possesses depth and complexity, juxtaposing beauty with horror to spectacular effect.</summary>
<author>
<name>David McWilliam 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
Pinto has created a work that possesses depth and complexity, juxtaposing beauty with horror to spectacular effect.
</content>
</entry>
<entry>
<title>Some 2009 short fiction</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/some_2009_short.shtml" />
<modified>2010-03-14T11:39:12Z</modified>
<issued>2010-03-12T09:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.859</id>
<created>2010-03-12T09:00:00Z</created>
<summary type="text/plain">Another way of framing the two stories I&apos;ve discussed so far is perhaps to suggest that SF is fascinated by the point at which humans become inhuman. But if that&apos;s true, it&apos;s surely also true that it&apos;s fascinated by the point at which the inhuman becomes human.</summary>
<author>
<name>Niall Harrison
</name>
</author>
<dc:subject></dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
Another way of framing the two stories I&apos;ve discussed so far is perhaps to suggest that SF is fascinated by the point at which humans become inhuman. But if that&apos;s true, it&apos;s surely also true that it&apos;s fascinated by the point at which the inhuman becomes human.
</content>
</entry>
<entry>
<title>2009 short fiction</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/2009_short_fict.shtml" />
<modified>2010-03-10T08:00:04Z</modified>
<issued>2010-03-10T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.858</id>
<created>2010-03-10T08:00:00Z</created>
<summary type="text/plain">As I sit down to write this piece I am close to, but not quite at, the end of a four month trek through 2009&apos;s genre short fiction.</summary>
<author>
<name>Abigail Nussbaum 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
As I sit down to write this piece I am close to, but not quite at, the end of a four month trek through 2009&apos;s genre short fiction.
</content>
</entry>
<entry>
<title>Selected short fiction from 2009</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/selected_short_.shtml" />
<modified>2010-03-08T13:00:02Z</modified>
<issued>2010-03-08T13:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.856</id>
<created>2010-03-08T13:00:00Z</created>
<summary type="text/plain">Here&apos;s my perspective on six standout stories published in 2009.</summary>
<author>
<name>Alvaro Zinos-Amaro
</name>
</author>
<dc:subject></dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
Here&apos;s my perspective on six standout stories published in 2009.
</content>
</entry>
<entry>
<title>In Great Waters by Kit Whitfield</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/in_great_waters.shtml" />
<modified>2010-03-05T08:00:03Z</modified>
<issued>2010-03-05T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.847</id>
<created>2010-03-05T08:00:00Z</created>
<summary type="text/plain">I found myself pulled both ways throughout, but the novel was more than saved for me because of Whitfield&apos;s masterful way of dramatizing and communicating various registers of strangeness, alienation, and subjectivity.</summary>
<author>
<name>T. S. Miller 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
I found myself pulled both ways throughout, but the novel was more than saved for me because of Whitfield&apos;s masterful way of dramatizing and communicating various registers of strangeness, alienation, and subjectivity.
</content>
</entry>
<entry>
<title>The Brain Thief by Alexander Jablokov</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/the_brain_thief.shtml" />
<modified>2010-03-03T08:00:04Z</modified>
<issued>2010-03-03T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.848</id>
<created>2010-03-03T08:00:00Z</created>
<summary type="text/plain">Things get weird very quickly. Unfortunately the novel loses steam almost as quickly, making for a somewhat unsatisfying read.</summary>
<author>
<name>Karen Burnham 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
Things get weird very quickly. Unfortunately the novel loses steam almost as quickly, making for a somewhat unsatisfying read.
</content>
</entry>
<entry>
<title>Red Claw by Philip Palmer</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/03/red_claw_by_phi.shtml" />
<modified>2010-03-01T13:00:02Z</modified>
<issued>2010-03-01T13:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.852</id>
<created>2010-03-01T13:00:00Z</created>
<summary type="text/plain">Red Claw is nothing short of a catastrophe.</summary>
<author>
<name>Jonathan McCalmont 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
<![CDATA[<cite>Red Claw</cite> is nothing short of a catastrophe.]]>
</content>
</entry>
<entry>
<title>The Sad Tale of the Brothers Grossbart by Jesse Bullington</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/02/the_sad_tale_of.shtml" />
<modified>2010-03-02T23:05:22Z</modified>
<issued>2010-02-26T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.835</id>
<created>2010-02-26T08:00:00Z</created>
<summary type="text/plain">After several days of arguing with myself over Jesse Bullington&apos;s debut novel The Sad Tale of the Brothers Grossbart, I&apos;m forced to follow in the footsteps of many of the positive and even effusive reviews that The Brothers Grossbart has received, and hedge my criticism of the novel as those reviewers hedged their praise.</summary>
<author>
<name>Abigail Nussbaum 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
<![CDATA[After several days of arguing with myself over Jesse Bullington's debut novel <cite>The Sad Tale of the Brothers Grossbart</cite>, I'm forced to follow in the footsteps of many of the positive and even effusive reviews that <cite>The Brothers Grossbart</cite> has received, and hedge my criticism of the novel as those reviewers hedged their praise.]]>
</content>
</entry>
<entry>
<title>Audrey&apos;s Door by Sarah Langan</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/02/audreys_door_by.shtml" />
<modified>2010-03-02T23:06:49Z</modified>
<issued>2010-02-24T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.853</id>
<created>2010-02-24T08:00:00Z</created>
<summary type="text/plain">Sarah Langan&apos;s third novel proves itself to be a worthwhile contribution to the history of haunted house stories.</summary>
<author>
<name>Richard Larson 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
Sarah Langan&apos;s third novel proves itself to be a worthwhile contribution to the history of haunted house stories.
</content>
</entry>
<entry>
<title>Heroes in the Wind by Robert E. Howard</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/02/heroes_in_the_w.shtml" />
<modified>2010-03-02T23:09:14Z</modified>
<issued>2010-02-22T13:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.840</id>
<created>2010-02-22T13:00:00Z</created>
<summary type="text/plain">The rewards for the reader who successfully suspends disbelief in the hero and overlooks purple or melodramatic prose, are significant: vicarious excitement and entrée into a world of imaginary marvels. Howard becomes, as Clute says in his introduction, our &quot;hypnopomp, &quot; our guide into dreams, and we adventure among wonders.</summary>
<author>
<name>William Mingin 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
The rewards for the reader who successfully suspends disbelief in the hero and overlooks purple or melodramatic prose, are significant: vicarious excitement and entrée into a world of imaginary marvels. Howard becomes, as Clute says in his introduction, our &quot;hypnopomp, &quot; our guide into dreams, and we adventure among wonders.
</content>
</entry>
<entry>
<title>Chasing the Dragon by Justina Robson</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/02/chasing_the_dra.shtml" />
<modified>2010-02-20T01:00:36Z</modified>
<issued>2010-02-19T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.854</id>
<created>2010-02-19T08:00:00Z</created>
<summary type="text/plain">Chasing the Dragon is, as Malachi very nearly puts it at one point, about getting the band back together.</summary>
<author>
<name>Niall Harrison 
</name>
</author>
<dc:subject> book review</dc:subject>
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<![CDATA[<cite>Chasing the Dragon</cite> is, as Malachi very nearly puts it at one point, about getting the band back together.]]>
</content>
</entry>
<entry>
<title>Boneshaker by Cherie Priest</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/02/boneshaker_by_c.shtml" />
<modified>2010-02-17T11:49:33Z</modified>
<issued>2010-02-17T08:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.846</id>
<created>2010-02-17T08:00:00Z</created>
<summary type="text/plain">On first read, Boneshaker is good. On a second, I found some nagging doubts just wouldn&apos;t go away.</summary>
<author>
<name>Colin Harvey 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
<![CDATA[On first read, <cite>Boneshaker</cite> is good. On a second, I found some nagging doubts just wouldn't go away.]]>
</content>
</entry>
<entry>
<title>Avilion by Robert Holdstock</title>
<link rel="alternate" type="text/html" href="http://www.strangehorizons.com/reviews/2010/02/avilion_by_robe.shtml" />
<modified>2010-02-15T13:00:02Z</modified>
<issued>2010-02-15T13:00:00Z</issued>
<id>tag:www.strangehorizons.com,2010:/reviews/1.849</id>
<created>2010-02-15T13:00:00Z</created>
<summary type="text/plain">The novel&apos;s central preoccupation is whether its characters will surrender to narrative destiny, or break free of it.</summary>
<author>
<name>David J. Schwartz 
</name>
</author>
<dc:subject> book review</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.strangehorizons.com/reviews/">
The novel&apos;s central preoccupation is whether its characters will surrender to narrative destiny, or break free of it.
</content>
</entry>

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