Recent Reviews

Two Views: Moxyland by Lauren Beukes

reviewed by James Trimarco and Paul Raven

20 November 2009

James Trimarco: Moxyland manages to breathe new life into this subgenre by capturing the peculiarly cynical voice of a generation that has absorbed so much branded messaging that it literally cannot imagine a gesture—not an utterance, not a political strategy, not even an act of violence—intended to do anything but stimulate the media for marketing-related purposes.

Paul Raven: It's a strong fast zap to the brain that eschews science fiction's lingering tendency to chase technological gosh-wow in favour of using its toolkit to vivisect the kids of tomorrow.

The Year's Best Science Fiction and Fantasy, volume 3, edited by Jonathan Strahan

reviewed by Nader Elhefnawy

18 November 2009

The volume offers few surprises (certainly for those who read much current science fiction and fantasy), but does succeed in offering that healthy (if conventional) sampling promised in the introduction.

Filaria by Brent Hayward

reviewed by Matt Denault

16 November 2009

Filaria is not a work that dazzles with new ideas, rather it impresses by deploying a greater set of storytelling techniques than many better-known works, and in so doing renews the sense of wonder associated with familiar concepts of SF and horror.

Green by Jay Lake

reviewed by Kyra Smith

13 November 2009

Lake attempts to wrestle with big themes—individual identity, gender and racial politics, gods and religion, and sexuality, to name but a few—but the overall impression is that he has bitten off more than he can chew.

Interfictions 2, edited by Delia Sherman and Christopher Barzak

reviewed by T. S. Miller

11 November 2009

What Interfictions 2 does offer is a set of stories that, if united by only the most tenuous thematic and generic threads, couldn't be more worth reading.

The Magicians by Lev Grossman

reviewed by John Clute

09 November 2009

There was nothing exactly wrong at first, and hundreds of pages passed with nothing exactly going wrong; so why, at p.332, should the reader (this one, anyway) find himself baulking at the thought of reading even one more page, baulking for almost a month at clawing through the last few chapters of The Magicians?

Shiver by Maggie Stiefvater

reviewed by Hallie O'Donovan

06 November 2009

Shiver's flaws, weighed against one of the most engaging and emotionally involving reads I've had recently, are slight.

The Drowning City by Amanda Downum

reviewed by Kari Sperring

04 November 2009

Downum takes us into that dark and dangerous territory pioneered by Robert E. Howard and Fritz Leiber.

Ark by Stephen Baxter

reviewed by Jonathan McCalmont and Alvaro Zinos-Amaro

02 November 2009

Jonathan McCalmont: Is Baxter to be praised for his seemingly ever-increasing control over an array of themes and issues that few other authors bother to tackle? Or is he to be condemned for writing and re-writing the same kind of book over and over again?

Alvaro Zinos-Amaro: It travels much farther than its predecessor. It takes even bigger risks, and the emotional pay-off is consequently greater.

Orbus by Neal Asher

reviewed by Dan Hartland

30 October 2009

In other words: I hate this book.

1942 by Robert Conroy

reviewed by Douglas W. Texter

28 October 2009

Robert Conroy's alternate history of the Japanese attack against Pearl Harbor serves as a morality play about good guys and bad guys.

The Black Mirror and Other Stories, edited by Franz Rottensteiner (trans. Mike Mitchell)

reviewed by Adam Roberts

26 October 2009

Overall: a very worthwhile collection of stories indeed.

Fifty Key Figures in Science Fiction, edited by Mark Bould, Andrew M. Butler, Adam Roberts and Sherryl Vint

reviewed by Martin Lewis

23 October 2009

A wonderfully versatile book.

Archived Reviews

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