Size / / /

Quiet in her mind, until the strangers

come again with tongues of blood & faith

& prophecy, each language a mutation

of myth hardwired into her primate brain.

She learned them all in childhood from the lights

that burned her dreams to spiral ashes. Blue

beyond the grammar of imagination,

they lifted her past midnight into truth.

Years afterward, the whispers started. Starlight

turned them shrill as crystal in her head,

until a random shard drew scarlet. Sirens

& bandages, that night. A whiff of death.

Her doctors bottled rainbows by the fistful,

banished edged temptation. Silence fell

like blackout curtains blank across her window,

a singularity they called a self.

Hostage to her own event horizon,

she lays out pills in patterns half-recalled

from sleep as blue as ashes. Spirals widen

across her floor: she traces them in chalk.

Quiet in her mind gives way to strangers

with myths for maps, whose prophecies scrawl tongues

of fire across our midnight sky. The curtains

are tatters now. She whispers, "It's begun."




Ann K. Schwader lives, writes, and volunteers at her local branch library in Westminster, CO. Her most recent poetry collection is Twisted in Dream (Hippocampus Press 2011). Her dark SF poetry collection Wild Hunt of the Stars (Sam's Dot Publishing, 2010) was a Bram Stoker Award nominee. She is a member of SFWA, HWA, and SFPA. Her LiveJournal is Yaddith Times.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
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