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The jawless skull has eaten the apples,
not the pears. Life is stiller this way.
St. Francis cradles the skull upside-
down in his palms. He drinks blood,
not wine, from the skull's open stem,
thinking it might have been Christ's
or Apollo's. A rope is knotted where
a neck used to breathe, dispossessing
the skull marrow. His cloak's shining
sooty-blue in cave light. Somewhere
else, wherever the jaw sought asylum,
the skull is clapping its skull hands
until they bleed: echoing cave light.
It's a skull, and it don't give a damn.




Richard Prins received his MFA degree in poetry from New York University. Now he divides his time between managing a building in Brooklyn and consulting for an entertainment company in Dar es Salaam. His work appears in Los Angeles Review, Painted Bride Quarterly, Rattle, Redivider, and THRUSH Poetry Journal.
Current Issue
6 May 2024

In his early days in slivermoon, Saki worked the phone lines. Companies in slivermoon stressed in prestige magazines and press releases that it was too hard for them to employ bodies. Bodies were expensive to sustain. Bodies needed food, warmth, and shelter.
fat tears rolling down your cheeks like pearls fresh from the oyster
The old feelings mean little to you now.
Wednesday: Dioramas by Blair Austin 
Friday: Verushka by Jan Stinchcomb 
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