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Then Jael, Heber's wife, took a nail of the tent, and took a hammer in her hand, and went softly unto him, and smote the nail into his temples, and fastened it to the ground: for he was fast asleep and weary. So he died.
    —Judges 4:21

such a muted sound at first

as spike hits skin, then,

the skull's soft crunch.

one would think murder made more noise—

like a battering ram against the temple,

but no, just a simple tent nail

and a cup of milk;

we women have our ways.

had i more time, i would have cooked,

made the bed, washed the dishes—

scheduled in the killing.

but he had come quickly, galloped

himself into my sanctuary,

heaving breath in muffled gasps

and war-weary, as men often are.

i became an eagle, feathers spread,

talons reaching as i flew out to meet him,

and he, thinking i was his dove, his mother hen,

came under my wings, shadow-filled.

i wrapped their warmth around him with

my voice spinning lies, quilted comfort,

my hands tucking in the folds of the blanket

as he slipped into that dream-quenching slumber.

i almost kissed his brow

to drive the pin through.

his mother, far away,

felt the breeze of my hand as it came down,

gentle, a loving breath upon her cheek,

thought her son had come back early in victory,

and opened her arms wide in ready embrace.

when she turned,

her eyes beheld nothing

but red leaves falling

in the morning wind.




Nancy Hightower lectures on the rhetorics of the grotesque and fantastic in art, film, and literature. She is an art columnist for Weird Fiction Review and has had work published in Word Riot, Prick of the Spindle, storySouth, and Bourbon Penn, among others.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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