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We've passed the half-way mark! Thanks to all who have donated so far. Here are some more posts from the past few days:

  • Shweta Narayan: "You might remember that, earlier this year, SH was called on racefail. Both their response and csecooney's, here, were positive; they took responsibility, apologized for harm done, and committed to actively working on doing better in future. This is vanishingly rare. It's one of really very few good examples in the field for responding to being called out, and I think it says, more even than the lovely fiction and poetry and such, why Strange Horizons is really damn important for marginalized folks in this field. And that's the biggest reason why I'll be donating again this year, and I urge everyone else to do so too. "
  • David J Schwartz picks out three stories you should read right before you donate from our archives, namely "Every Angel is Terrifying" by Nia Stephens, "Bone Women" by Eliot Fintushel, and "Sleeping with Bears" by Theodora Goss
  • Nader Elhefnawy: "by any measure, one of the foremost publishers of speculative fiction (and related nonfiction) on the web"
  • io9 even thinks we're venerable!
  • Karen Munro: "I can say without hesitation that they are a terrific magazine to publish with, and that they publish great stuff."
  • Thanks also to SF Signal for a boost



Niall Harrison is an independent critic based in Newcastle upon Tyne, UK. He is a former editor of Strange Horizons, and his writing has also appeared in The New York Review of Science FictionFoundation: The International Review of Science Fiction, The Los Angeles Review of Books and others. He has been a judge for the Arthur C. Clarke Award, and a Guest of Honor at the 2023 British National Science Fiction Convention. His collection All These Worlds: Reviews and Essays is available from Briardene Books.
Current Issue
25 Mar 2024

Looking back, I see that my initial hope for this episode was that the mud would have a heartbeat and a heart that has teeth and crippling anxiety. Some of that hope has become a reality, but at what cost?
to work under the / moon is to build a formidable tomorrow
Significantly, neither the humans nor the tigers are shown to possess an original or authoritative version of the narrative, and it is only in such collaborative and dialogic encounters that human-animal relations and entanglements can be dis-entangled.
By: Sammy Lê
Art by: Kim Hu
the train ascends a bridge over endless rows of houses made of beams from decommissioned factories, stripped hulls, salvaged engines—
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