The Sonic Flowerfall of Primes
By Andrew Joron
12 June 2006
[Editor's Note: Many thanks to Andrew Joron for giving us permission to reprint his work for a limited time in conjunction with Greg Beatty's "Reading the Rhysling."]
We welcome these cool auspicious hours
A red dusk on the radar promenades
A muted gong: and like ghosts accusing us
This agape's guests appear
Surely to ascend again
Their angry forum—O golden solons
From a metal-poor Utopia
We shall dismantle them anon
It is a brittled language they must speak
For our attention: fingering
Some little machine-pressed rose of Number in their hope
We raise up columns of soft light
Far out of these dust-white airs: undinal
A radio sings, but the signal is failing
Its static sadly
Echoes not a datum across the courtyard
Our precessing singer's artificial star portends 0—0—0
He'll see this dusk
A blood-edged knife as it falls from the hand
Of our thin white mistress Moon
He sees too our mortal remains: now our metal habitations
Stained cirrus & the heart of continents stilled
We absolve ourselves there & above, wash in the Absolute
Most through his absolutions, his blood-soluble
Emotions
. . . Piquant telemetries, per hour passed downlink, into rooms
Where no shadow is
Fly in electra, he
Suspends our veiled supper of the Masses
So that even as we view him now, orbiting nightward
A blue-green blip on verdigris'd scanners
One favored dwarf or fool; the player on his oud
Must pluck blossoms of this Sun-heightened music
Holy notes to nerve the optick stem
His fingers light-spun on the frets
A spine that to our blood-beat banks
Must speed wishes & electric measures
The signal fades & our thoughts turn out of color
Other words are activated: revenants of his twenty-hundredth
Revolution-songs, devoted to his female double
Whom we'd developed as the back-up unit: she shared
His programming, smiled or sorrowed / and grew ill
On-line, the thread of her own breath broken
While he played one night upon his oud
A gold untuned Eternal thread
Those noon orbits he sang for one who sat alone
Her head bent to the stone
Never to know him except as herself
And herself as the embodiment of a star-blind purpose
Separate as two monads, each felt the other's suffering
Both remained distrustful of their symmetried desires
His studied fingers had never touched that throat
To strum glad cry, the gong resounding in her eye
Still she came to him in dreams, as our neural s(t)imulating shows
Still pained with the magneto-prints of their closed-loop identical
Design, they made love (or so each of them supposed)
. . . A face turned to the wall, fearsome, yet triumphantly
Aflame: her smoky skin, the black hair curled
Upon her neck like ciphers
And his naked torso arcing out the window, Heaven's inverse
All below, in the dark brass bowl of Sahara dayside
Then their bodies were wasted, cells and fibers
Accelerated, to meet our stony stillness
Toward the light's abandoned dwellings
Those energy-sinks where a gelid aether drips
And our voice dies in its echo
But his thoughts of her were subtler by their weakness
Palely pictured
Like the meaningless calligraphies
Arising from a blown-out candle
Beyond the Moon all motion
Must be uniform and circular as sleep / There
Stands a hermaphrodite of whom it is impossible to speak
The distance of an Absolute love is hers
She'll not acknowledge the votive ranks of technicians below
Hungering sheep on that once-green hill
When their missile hangars open rusty eyelids
Down a pew-narrow dull perspective; he hears dust
Delayed booms in midnight air
When, heart-frozen, he speaks to her from his steady star—we obey
As zeniths late the fuller Artemis, we have only
The safekeeping of being: a sere system, the steering of these cogs & wheels
To follow his or her thought's helpless longitudes
And in flights of neutralized Inertial joy
Our flame-winged barques roll out and Out
Athwart the dead audience: a nightside lit with cities
Zapping with bluest energy
Binary citizenries, one- and zero-numbered
Where whose eternal cameras scan
The test patterns of our social constants
Beyond the mile-high buildings
Earth & sky are
Rising discs, but he chords them gone
Abstract icons call them back again
As useful (shimmering
Heat-hymns across the civilized moraine)
We applaud: the player shall timely please
Us moving glacial megadromes
He alone in his cat-carved spacecraft Thoth
Lets his oud decrease the fire-line of day
The inanimate horizon acts against him
Finally: vagaries of wind & water, after the Sun goes
Erect cloud-cities / vast
in their changing, gas Urs and Chicagos
That cannot mean to mock our dying
Intentions—though farther off we hear
Our heartbeat's brief god-protecting thunder
Its one cause, those ionized highways on which no courier rides
Today's dreaming of the landscape is done
That set free the citizenries into our fine-tooled deserts
And did not let the six-armed towers collapse
& saw winter forests blow away like seeds
Who else looks down on the glittering wastes
Where we were sovereign?
Who knows better the rubble left behind
By these technologic glaciers
The human center all in one head, his despair
Is our consent: fixed here & efficient
His one response to the manufacture of her Miracles
A thing, reclining to this feast of fools
We shall not cease to measure
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