So, Your Utopia Needs a Language...
By T. F. Davenport
24 October 2005
This article is no longer available in the Strange Horizons Archive, by request of the author.
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So, Your Utopia Needs a Language...By T. F. Davenport24 October 2005 This article is no longer available in the Strange Horizons Archive, by request of the author. Copyright © 2005 T. F. Davenport (Comments on this piece | Articles Forum | Main Forum Index | Forum Login) ![]() After a short foray into the great wide world—he has lived in Central Europe and in Turkey—T. F. Davenport has returned to the womb of university. He roams at large in the University of California system, studying linguistics and cognitive science. You can find his work in ChiZine and Greatest Uncommon Denominator. |
Bridge Over Troubled Waters: The City of Haifa in Lavie Tidhar's Stories by Ehud Maimon 23 January 2012 When looked upon together from some distance, a clear picture of Haifa as it is seen in Lavie Tidhar's vision emerges. This vision produces a unique outcome, a speculative city which is at the same time universal and local. Watching the Watches: An Interview with Sergei Lukyanenko by Nicholas Seeley 28 November 2011 Nicholas Seeley asks Sergei Lukyanenko about writing, movies, video games, and the value of an international approach to writing fantasy. Even the Old Ones Get the Blues: An Interview with John Hornor Jacobs by Molly Tanzer 31 October 2011 But seriously, in my descriptions of Arkansas, I try to convey some of the decay, the innate corruptness of the human experience in the South. Even here, in Little Rock in 2011, the social stratification that existed in the 1950s still exists. Cosmic Horror in John Carpenter's "Apocalypse Trilogy" by Orrin Grey 24 October 2011 Perhaps because it's the first film in the "Apocalypse Trilogy," the themes that tie the three movies together are the most subtle in The Thing. The story concerns an alien creature found frozen in Antarctic ice that can absorb, digest, and then imitate perfectly any creature that it comes into contact with. What follows from its discovery is a classic meditation on paranoia, punctuated by some of the best practical special effects ever put on film. |
