Did the Army receive their new machines on the radio-clogged battlefield, relieved that all of those worrying signal problems had been resolved . . . and then discover that they hadn't been?
At the center of Susanna Clarke's historical novel are three characters, each a victim of Strange and Norrell's project to promote magic as rational and "English," and each corresponding to a social group historically marginalized in order to solidify Englishness as a cohesive category of identity[.]